Haku

Much ink has been spilled regarding whether mm.224–26, which conclude the first-movement development section of Beethoven's Piano Sonata, Op. 106, the Hammerklavier , should contain A♮ or A♯. By contrast, what happens at ...

This analysis of Schoenberg’s Op. 11 No. 1 demonstrates ways in which two register-sensitive principles of harmony and voice-leading shed new light on its pitch organization. The 11-vs-1 principle posits a distinction ...