Institutionalization in Music History
Avaa tiedosto
Lataukset:
Toimittaja(t)
Rantanen, Saijaleena
Scott, Derek B.
Taideyliopiston Sibelius-Akatemia, DocMus-tohtorikoulu
2022
2341-8265
978-952-329-282-6
kirja
DocMus-tohtorikoulun julkaisuja 19
Julkaisun pysyvä osoite on
https://urn.fi/URN:ISBN:978-952-329-282-6
https://urn.fi/URN:ISBN:978-952-329-282-6
Tiivistelmä
This volume provides new insights into the impact of the development of institutionalization on music, musical practices, and society at large. It is divided into three thematic sections, the first of which deals with the institutionalization of musical practices. The articles move from the emergence of theater and opera culture in nineteenth century Greece to the dominance of radio in the dissemination of music at the height of the disco boom in the United States in the 1970s. The second part of the volume highlights the impact of music exhibitions and festivals on the institutionalization of music, including music education, and reflects the political power structures behind this phenomenon. Politics and power are emphasized in part three, which examines the possibilities for women musicians in the late nineteenth century, the impact of colonization and imperialism on the nature of the institutionalization of musical life, and the challenge to these political forces. The publication is based on a conference of the same name organized by the History Forum of the University of the Arts in 2018. Derek B. Scott (eds.)
Saijaleena Rantanen (eds.)
Avra Xepapadakou
Derek B. Scott
Kristin Van den Buys
Daniel Moro Vallina
Mark E. Perry
Sarah Kirby
Brandon Farnsworth
Ardian Ahmedaja
Melanie Strumbl
Nuppu Koivisto-Kaasik
Irene Pang
Rūta Stanevičiūte ̇
CONTENTS
Derek B. Scott and Saijaleena Rantanen: Foreword
PART I – Institutionalization Past and Present
Avra Xepapadakou: Towards the Institutionalization of Musical Life in Nineteenth-
Century Greece and Southeastern Europe: The First Steps of the
Formation of New Creative and Cultural Industries
Derek B. Scott: Music Hall: Regulations and Behaviour in a British Cultural
Institution
Kristin Van den Buys: National Radio Broadcasting: The Last Bastion of Modernism in
the Interwar Period in Brussels
Daniel Moro Vallina: From Serialism to Mobile Form. The Institutionalization of
Avant-Garde in Madrid and its Influence on the Aesthetics of the
Generation of 51
Mark E. Perry:“Disco Sucks:” The Decline and Fall of Disco Music
PART II – Musical Exhibitions & Festivals
Sarah Kirby:“A mystery, and viewless / Even when present:” Exhibiting Music
at International Exhibitions in Nineteenth-Century Britain
Brandon Farnsworth: Contemporary Music and the Curatorial Turn: Surveying
Curatorial Practices from Curators-as-Authors to Institutional
Critique
Ardian Ahmedaja: The Presentation of Traditions in Albania as a Mediation of
Political Events: From National Awakening to the National
Folklore Festival as Institution
Melanie Strumbl:The International Exhibition of Music and Drama 1892 and its
Influence on the Institutionalization of the Musicology Department
in Vienna
PART III – Musical Institutions and Power
Nuppu Koivisto-Kaasik: Salons, Conservatoires, Restaurant Orchestras: Women Musicians
and Cultural Institutions in Late-Nineteenth-Century Europe
Irene Pang: Mediating between Music and Society: Semi-colonial Ideology in
the Early History of the Shanghai Municipal Orchestra
Rūta Stanevičiūte˙:: The Soviet Empire, Baltic Musicological Conferences, and the
Institutionalization of Alternative Knowledge
Saijaleena Rantanen (eds.)
Avra Xepapadakou
Derek B. Scott
Kristin Van den Buys
Daniel Moro Vallina
Mark E. Perry
Sarah Kirby
Brandon Farnsworth
Ardian Ahmedaja
Melanie Strumbl
Nuppu Koivisto-Kaasik
Irene Pang
Rūta Stanevičiūte ̇
CONTENTS
Derek B. Scott and Saijaleena Rantanen: Foreword
PART I – Institutionalization Past and Present
Avra Xepapadakou: Towards the Institutionalization of Musical Life in Nineteenth-
Century Greece and Southeastern Europe: The First Steps of the
Formation of New Creative and Cultural Industries
Derek B. Scott: Music Hall: Regulations and Behaviour in a British Cultural
Institution
Kristin Van den Buys: National Radio Broadcasting: The Last Bastion of Modernism in
the Interwar Period in Brussels
Daniel Moro Vallina: From Serialism to Mobile Form. The Institutionalization of
Avant-Garde in Madrid and its Influence on the Aesthetics of the
Generation of 51
Mark E. Perry:“Disco Sucks:” The Decline and Fall of Disco Music
PART II – Musical Exhibitions & Festivals
Sarah Kirby:“A mystery, and viewless / Even when present:” Exhibiting Music
at International Exhibitions in Nineteenth-Century Britain
Brandon Farnsworth: Contemporary Music and the Curatorial Turn: Surveying
Curatorial Practices from Curators-as-Authors to Institutional
Critique
Ardian Ahmedaja: The Presentation of Traditions in Albania as a Mediation of
Political Events: From National Awakening to the National
Folklore Festival as Institution
Melanie Strumbl:The International Exhibition of Music and Drama 1892 and its
Influence on the Institutionalization of the Musicology Department
in Vienna
PART III – Musical Institutions and Power
Nuppu Koivisto-Kaasik: Salons, Conservatoires, Restaurant Orchestras: Women Musicians
and Cultural Institutions in Late-Nineteenth-Century Europe
Irene Pang: Mediating between Music and Society: Semi-colonial Ideology in
the Early History of the Shanghai Municipal Orchestra
Rūta Stanevičiūte˙:: The Soviet Empire, Baltic Musicological Conferences, and the
Institutionalization of Alternative Knowledge