AN OVERVIEW ON THE ARTISTRY OF THE CONCERT ACCORDION IN CONTEMPORARY CHAMBER MUSIC : A performer’s journey through shaping artistic identity
De La Puente, Naira (2024)
Lataukset:
Taideyliopiston Sibelius-Akatemia, DocMus-tohtorikoulu
2024
2489-7981
978-952-329-368-7
Tohtoritutkinto. Taiteilijakoulutus
DocMus
EST-julkaisusarja 81
Julkaisun pysyvä osoite on
https://urn.fi/URN:ISBN:978-952-329-368-7
https://urn.fi/URN:ISBN:978-952-329-368-7
Tiivistelmä
In my doctoral research, I aim to examine the role of the accordion in
contemporary chamber music performance practices through a process of
observation, exploration, examination, and reflection as an accordionist.
The focus of this project is centered on four doctoral concerts, in addition
to my own embodied experience as a professional musician in Finland and
Spain, working with various ensembles and musicians.
By integrating artistic processes, outcomes, documentation, interviews, and
text, this research aims to contribute new insights and findings to the field
of artistic research and to provide a more comprehensive understanding of
the complexities of modern accordion performance, professional career,
and education.
This doctoral research project makes an original contribution to the field
by exploring new knowledge and understanding related to artistic identity
formation, specifically within the community of concert accordionists. By
reflecting on the evolving identity of concert accordionists and considering
their potential needs, this research sheds light on the present and future
directions in the field. In addition to my own experiences and observations,
I have relied on the valuable work conducted by predecessors who have
researched various aspects of the concert accordion.
The full scope of this doctoral project includes four artistic components
(four concerts) and an artistic doctoral thesis comprising an integrative
chapter with three interrelated thematic sections. Section One delves into
the aspects of the artistic possibilities of concert accordion in contemporary
chamber music repertory. Section Two will analyze and examine the
evolution of the accordionist’s artistic identity formation, while the final
section will provide a personal perspective on the evolving identity of
concert accordion players and their potential needs within the field and
proposes steps for their continued growth and development in the future.
contemporary chamber music performance practices through a process of
observation, exploration, examination, and reflection as an accordionist.
The focus of this project is centered on four doctoral concerts, in addition
to my own embodied experience as a professional musician in Finland and
Spain, working with various ensembles and musicians.
By integrating artistic processes, outcomes, documentation, interviews, and
text, this research aims to contribute new insights and findings to the field
of artistic research and to provide a more comprehensive understanding of
the complexities of modern accordion performance, professional career,
and education.
This doctoral research project makes an original contribution to the field
by exploring new knowledge and understanding related to artistic identity
formation, specifically within the community of concert accordionists. By
reflecting on the evolving identity of concert accordionists and considering
their potential needs, this research sheds light on the present and future
directions in the field. In addition to my own experiences and observations,
I have relied on the valuable work conducted by predecessors who have
researched various aspects of the concert accordion.
The full scope of this doctoral project includes four artistic components
(four concerts) and an artistic doctoral thesis comprising an integrative
chapter with three interrelated thematic sections. Section One delves into
the aspects of the artistic possibilities of concert accordion in contemporary
chamber music repertory. Section Two will analyze and examine the
evolution of the accordionist’s artistic identity formation, while the final
section will provide a personal perspective on the evolving identity of
concert accordion players and their potential needs within the field and
proposes steps for their continued growth and development in the future.
Kokoelmat
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