Mapping the Field of Composing Pedagogy in Finland : From Musical Inventions to Cultural Participation

annif.suggestionsmusiikkikasvatus|musiikki|säveltäminen|opetus|koulut|opetussuunnitelmat|perusopetus|oppilaat|peruskoulu|opetustavoitteet|enen
annif.suggestions.linkshttp://www.yso.fi/onto/yso/p7359|http://www.yso.fi/onto/yso/p1808|http://www.yso.fi/onto/yso/p13332|http://www.yso.fi/onto/yso/p2630|http://www.yso.fi/onto/yso/p386|http://www.yso.fi/onto/yso/p5140|http://www.yso.fi/onto/yso/p19327|http://www.yso.fi/onto/yso/p8131|http://www.yso.fi/onto/yso/p2518|http://www.yso.fi/onto/yso/p11961en
dc.contributor.authorPartti, Heidi
dc.date.accessioned2024-01-09T15:57:23Z
dc.date.accessioned2025-05-13T08:30:24Z
dc.date.available2025-02-18T01:00:08Z
dc.date.issued2023
dc.description.abstractIn Finland, creative music-making practices have already been included in curricular documents for decades. Music teachers working at schools have been encouraged to provide pupils with opportunities for musical improvisation and explorations, and multiple composing projects in and out formal music education offer platforms for young people to make and share their own musical works. However, the concept of composing as well as questions related to the aims and methods of teaching composing in educational settings have varied over time. It is symptomatic that the word “composing” was included in the National Core Curriculum for Basic Education as late as in 2016, having so far been referred to as “musical inventions” and other euphemisms. This chapter provides an overview of recent discourse and practices related to composing and composing pedagogy in Finnish music education. The specific interest is in the role of music educators in enabling access for all kinds of students to musical meaning-making and cultural participation.-
dc.embargo.terms2025-02-18
dc.format.bitstreamtrue
dc.identifier.citationPartti, H. (2023). Mapping the Field of Composing Pedagogy in Finland : From Musical Inventions to Cultural Participation. In K. Devaney et al. (Eds.), The Routledge Companion To Teaching Music Composition in Schools: International Perspectives (pp. 114–121). Routledge. https://doi.org/10.4324/9781003184317-11-
dc.identifier.olddbid8380
dc.identifier.oldhandle10024/8038
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/381
dc.identifier.urnURN:NBN:fi-fe202401092109-
dc.language.isoeng-
dc.publisherRoutledge-
dc.relation.doi10.4324/9781003184317-11-
dc.relation.isbn9781003184317-
dc.relation.ispartofThe Routledge Companion To Teaching Music Composition in Schools: International Perspectives-
dc.rightscc by-nc-nd 4.0-
dc.rights.accesslevelembargoedAccess-
dc.source.identifierhttps://taju.uniarts.fi/handle/10024/8038
dc.subject.ysomusiikkikasvatus-
dc.subject.ysomusiikki-
dc.subject.ysosäveltäminen-
dc.subject.ysoopetus-
dc.subject.ysokoulut-
dc.titleMapping the Field of Composing Pedagogy in Finland : From Musical Inventions to Cultural Participation-
dc.type.coarfi=kirjan osa|sv=bokavsnitt|en=book part|-
dc.type.okmfi=A3 Kirjan tai muun kokoomateoksen osa|sv=A3 Del av bok eller annat samlingsverk|en=A3 Book section, Chapters in research books|-
dc.type.versionacceptedVersion-

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