Exploring Interconnectedness: A multidisciplinary project composition of immersion, interaction and voice
annif.suggestions | säveltäminen|vuorovaikutus|musiikki|laulajat|eloelektroniikka|luovuus|äänitaide|luova toiminta|musiikkifilosofia|ääni (fysikaaliset ilmiöt)|en | en |
annif.suggestions.links | http://www.yso.fi/onto/yso/p13332|http://www.yso.fi/onto/yso/p10591|http://www.yso.fi/onto/yso/p1808|http://www.yso.fi/onto/yso/p2352|http://www.yso.fi/onto/yso/p29814|http://www.yso.fi/onto/yso/p8311|http://www.yso.fi/onto/yso/p15737|http://www.yso.fi/onto/yso/p9315|http://www.yso.fi/onto/yso/p19358|http://www.yso.fi/onto/yso/p4572 | en |
dc.contributor.author | Calderon Morales, Esther | |
dc.contributor.organization | fi=Taideyliopiston Sibelius-Akatemia, Musiikkikasvatuksen, jazzin ja kansanmusiikin osasto, Musiikkiteknologia|sv=Konstuniversitetets Sibelius-Akademi, avdelningen för musikpedagogik, jazz och folkmusik, Musikteknologi|en=Uniarts Helsinki’s Sibelius Academy, Faculty of Music Education, Jazz, and Folk Music, Music Technology| | - |
dc.date.accessioned | 2024-03-25T06:30:30Z | |
dc.date.accessioned | 2025-05-13T16:26:20Z | |
dc.date.available | 2024-03-25T06:30:30Z | |
dc.date.issued | 2023-10 | |
dc.description.abstract | This written component accompanies my artistic project, Nexe, a composition that integrates vocal ensemble, live electronics, acousmatic music, motion sensors, generative systems, and dance. It serves as a comprehensive reflection on the creative process and the themes explored within the project. My initial artistic aim was to translate theoretical concepts about human nature into a live musical performance. These ideas revolved around the importance of human connection, interconnectivity, and the role of language. Utilizing case studies as foundational elements, I worked towards the piece, gaining valuable knowledge that influenced my decisions throughout the creative process. The thesis thoroughly delves into both the case studies and my creative processes, examining the journey from conceptualization to execution, including collaborative elements involving singers and choreographers. It articulates and justifies my artistic decisions, particularly concerning the integration of technology and voice, as well as compositional choices that extend beyond sonic considerations, exemplified by the use of generative and real-time interactive composition tools, including data-driven score generation for singers. Central to the elements of the piece and the thesis are themes of immersion and interaction, integral to human connection. While I didn’t initially focus on these themes and their connections, their significance gradually became evident during the writing of this thesis. This process also generated additional questions for future exploration. | - |
dc.description.notification | Access to the score and other files: https://drive.google.com/drive/folders/1T8VXfwRjL1_u5xbby3Bf0KaTQ5Dr35V8 | - |
dc.format.bitstream | true | |
dc.format.content | fulltext | - |
dc.format.extent | 100 | - |
dc.identifier.olddbid | 8443 | |
dc.identifier.oldhandle | 10024/8116 | |
dc.identifier.uri | https://taju.uniarts.fi/handle/11111/1848 | |
dc.identifier.urn | URN:NBN:fi-fe202402289058 | - |
dc.language.iso | eng | - |
dc.publisher | Taideyliopiston Sibelius-Akatemia | - |
dc.relation.isbasedon | Nexe | - |
dc.rights | In Copyright 1.0 | - |
dc.rights.accesslevel | openAccess | - |
dc.source.identifier | https://taju.uniarts.fi/handle/10024/8116 | |
dc.subject | immersion | - |
dc.subject | interdisciplinar | - |
dc.subject | collaboration | - |
dc.subject | sensor | - |
dc.subject | sensing technologies | - |
dc.subject | motion capture | - |
dc.subject | generative music | - |
dc.subject | generative systems | - |
dc.subject | stage | - |
dc.subject | multichannel audio | - |
dc.subject | spatial audio | - |
dc.subject | max-msp | - |
dc.subject | multidisciplinary | - |
dc.subject | project | - |
dc.subject | voice | - |
dc.subject | acousmatic music | - |
dc.subject | motion sensors | - |
dc.subject | creative process | - |
dc.subject | human nature | - |
dc.subject | connection | - |
dc.subject | intercconection | - |
dc.subject.degreeprogram | fi=musiikkiteknologia|sv=musikteknologi|en=Music Technology| | - |
dc.subject.yso | compositions (music) | - |
dc.subject.yso | choirs (music) | - |
dc.subject.yso | live electronics | - |
dc.subject.yso | interaction | - |
dc.subject.yso | multichannel | - |
dc.subject.yso | dance | - |
dc.subject.yso | säveltäminen | - |
dc.subject.yso | vuorovaikutus | - |
dc.subject.yso | musiikki | - |
dc.subject.yso | laulajat | - |
dc.subject.yso | eloelektroniikka | - |
dc.subject.yso | voice | - |
dc.subject.yso | use of language | - |
dc.title | Exploring Interconnectedness: A multidisciplinary project composition of immersion, interaction and voice | - |
dc.type.coar | fi=opinnäyte (maisteri)|sv=lärdomsprov (magister)|en=master thesis| | - |
dc.type.ontasot | fi=Tutkielma|sv=Magisteravhandling|en=Master's Thesis| | - |
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