Embodiment and ethnographic sensitivity in narrative inquiry

annif.suggestionsmusiikki|vuorovaikutus|musiikkikasvatus|etnografia|narratiivinen tutkimus|ruumiillisuus|kokemukset|musiikkiterapia|opettaja-oppilassuhde|ilmaisu|enen
annif.suggestions.linkshttp://www.yso.fi/onto/yso/p1808|http://www.yso.fi/onto/yso/p10591|http://www.yso.fi/onto/yso/p7359|http://www.yso.fi/onto/yso/p14028|http://www.yso.fi/onto/yso/p22220|http://www.yso.fi/onto/yso/p4006|http://www.yso.fi/onto/yso/p3209|http://www.yso.fi/onto/yso/p16380|http://www.yso.fi/onto/yso/p1050|http://www.yso.fi/onto/yso/p11843en
dc.contributor.authorSutela, Katja
dc.contributor.authorOjala, Juha
dc.contributor.authorJuntunen, Marja-Leena
dc.date.accessioned2022-05-31T12:31:13Z
dc.date.accessioned2025-05-13T08:22:43Z
dc.date.available2022-05-31T12:31:13Z
dc.date.issued2017
dc.description.abstractIn this article we reflect on how aspects of the researcher’s embodiment may infuse narrative inquiry. For reflecting on the role of the researcher’s embodiment, we use an opportunity provided by a case study in which the development of one adolescent student’s agency during a teaching intervention was observed, analyzed and presented in a narrative form. The case is a part of the first author’s ongoing ethnographic practitioner research, which examines the possibilities of Dalcroze-based music teaching in fostering students’ agency in the context of special music education in Finnish lower secondary school. The PhD study focuses on students’ capacity for narrative self-expression through non-verbal communication, by telling stories out of and through the body as indicators of agency.-
dc.format.bitstreamtrue
dc.identifier.citationKatja Sutela, Juha Ojala, & Marja-Leena Juntunen. (2017). Embodiment and Ethnographic Sensitivity in Narrative Inquiry. Bulletin of the Council for Research in Music Education, 210–211, 43–60. https://doi.org/10.5406/bulcouresmusedu.210-211.0043-
dc.identifier.olddbid7686
dc.identifier.oldhandle10024/7569
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/330
dc.identifier.urnURN:NBN:fi-fe2022053141278-
dc.language.isoeng-
dc.publisherUniversity of Illinois Press-
dc.relation.doi10.5406/bulcouresmusedu.210-211.0043-
dc.relation.ispartofjournalBulletin for the Council of Research in Music Education-
dc.relation.issn0010-9894-
dc.relation.issue210-211-
dc.relation.urlhttp://www.jstor.org/stable/10.5406/bulcouresmusedu.210-211.0043-
dc.relation.volume2017-
dc.rightsIn Copyright 1.0-
dc.rights.accesslevelopenAccess-
dc.source.identifierhttps://taju.uniarts.fi/handle/10024/7569
dc.subject.ysomusiikkikasvatus-
dc.subject.ysokokemukset-
dc.subject.ysoDalcroze-rytmiikka-
dc.subject.ysonarratiivinen tutkimus-
dc.titleEmbodiment and ethnographic sensitivity in narrative inquiry-
dc.type.coarfi=lehtiartikkeli|sv=tidningsartikel|en=contribution to journal|-
dc.type.okmfi=A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä|sv=A1 Originalartikel i vetenskaplig tidskrift|en=A1 Journal article (refereed), original research|-
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