Rethinking, Re-storying, and Reclaiming Narratives of Aging in Music Education Research

annif.suggestionsmusiikkikasvatus|musiikki|ikääntyminen|ikääntyneet|elinikäinen oppiminen|oppiminen|musiikkikritiikki|opetus|musiikkimaku|musiikkifilosofia|enen
annif.suggestions.linkshttp://www.yso.fi/onto/yso/p7359|http://www.yso.fi/onto/yso/p1808|http://www.yso.fi/onto/yso/p5056|http://www.yso.fi/onto/yso/p2433|http://www.yso.fi/onto/yso/p6262|http://www.yso.fi/onto/yso/p2945|http://www.yso.fi/onto/yso/p15025|http://www.yso.fi/onto/yso/p2630|http://www.yso.fi/onto/yso/p4279|http://www.yso.fi/onto/yso/p19358en
dc.contributor.authorLaes, Tuulikki
dc.date.accessioned2024-02-09T13:59:52Z
dc.date.accessioned2025-05-13T08:31:49Z
dc.date.available2024-02-09T13:59:52Z
dc.date.issued2023
dc.description.abstractIn this article, I address the contemporary discussion of later-life courses in music education research and how it might perpetuate the discrimination and stereotyping of older adults. Drawing from the sociology of aging, I aim to show that one possible way to tackle the ageist assumptions in music education is to reflect on rethinking, re-storying, and reclaiming the master narratives of aging by replacing the dominant linear life span view with an intersectional life course approach. Furthermore, I will present ideas to connect qualitative narrative inquiry with systems thinking, to challenge the practices and research traditions that contribute to the sustainment of stereotypical mental models of aging in music education and move towards a framework of sustainable aging. Finally, the transformative potential of such inquiry will benefit not only music educators interested in later-life questions but also the field at large. The music education of young children, for instance, can be seen as an investment in the musical agency of future older people.-
dc.format.bitstreamtrue
dc.identifier.citationLaes Tuulikki. 2023. Rethinking, re-storying, and reclaiming narratives of aging in music education research. Action, Criticism, and Theory for Music Education 22 (3): 227–51. https://doi.org/10.22176/act22.3.227-
dc.identifier.olddbid8407
dc.identifier.oldhandle10024/8057
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/389
dc.identifier.urnURN:NBN:fi-fe202402096502-
dc.language.isoeng-
dc.publisherSouthern Illinois University-
dc.relation.doi10.22176/act22.3.227-
dc.relation.ispartofjournalAction, criticism and theory for music education-
dc.relation.issn1545-4517-
dc.relation.issue3-
dc.relation.volume22-
dc.rightscc by 4.0-
dc.rights.accesslevelopenAccess-
dc.source.identifierhttps://taju.uniarts.fi/handle/10024/8057
dc.subject.ysomusiikkikasvatus-
dc.subject.ysomusiikki-
dc.subject.ysoikääntyminen-
dc.subject.ysoikääntyneet-
dc.subject.ysoelinikäinen oppiminen-
dc.subject.ysooppiminen-
dc.titleRethinking, Re-storying, and Reclaiming Narratives of Aging in Music Education Research-
dc.type.coarfi=lehtiartikkeli|sv=tidningsartikel|en=contribution to journal|-
dc.type.okmfi=A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä|sv=A1 Originalartikel i vetenskaplig tidskrift|en=A1 Journal article (refereed), original research|-
dc.type.versionpublishedVersion-

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