How to study a musical work which includes movements during the performance
dc.contributor.author | García León, Ana Belén | |
dc.contributor.organization | Sibelius-Akatemia, Orkesterisoitinten osasto | - |
dc.date.accessioned | 2018-05-16T12:44:46Z | |
dc.date.accessioned | 2020-12-22T09:35:55Z | |
dc.date.accessioned | 2025-05-13T13:18:16Z | |
dc.date.available | 2016-08-16 | |
dc.date.available | 2018-05-16T12:44:46Z | |
dc.date.available | 2020-12-22T09:35:55Z | |
dc.date.issued | 2012 | |
dc.description.abstract | The process for playing a piece which includes movements during the performance is quite different for the musician. I could learnt that from my experience, for this reason the aim of this written work is to help to everyone who wants to play a piece with gestures and to make easier the way for performing it. | en |
dc.format.bitstream | true | |
dc.format.content | fulltext | - |
dc.format.extent | 14 | |
dc.identifier.olddbid | 6403 | |
dc.identifier.oldhandle | 10024/6378 | |
dc.identifier.other | ArscaBibId490473 | |
dc.identifier.uri | https://taju.uniarts.fi/handle/11111/520 | |
dc.identifier.urn | URN:NBN:fi-fe2018050923870 | |
dc.language.iso | eng | - |
dc.publisher | Sibelius-Akatemia | |
dc.rights | In Copyright 1.0 | - |
dc.rights.accesslevel | openAccess | - |
dc.source.identifier | https://taju.uniarts.fi/handle/10024/6378 | |
dc.subject.degreeprogram | fi=sävellys ja musiikinteoria|sv=komposition och musikteori|en=Composition and Music Theory| | - |
dc.title | How to study a musical work which includes movements during the performance | |
dc.type.coar | fi=opinnäyte|sv=lärdomsprov|en=thesis| | - |
dc.type.ontasot | fi=Kirjallinen työ|sv=Skriftligt arbete|en=Written Work| | fi |
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