How to study a musical work which includes movements during the performance

dc.contributor.authorGarcía León, Ana Belén
dc.contributor.organizationSibelius-Akatemia, Orkesterisoitinten osasto-
dc.date.accessioned2018-05-16T12:44:46Z
dc.date.accessioned2020-12-22T09:35:55Z
dc.date.accessioned2025-05-13T13:18:16Z
dc.date.available2016-08-16
dc.date.available2018-05-16T12:44:46Z
dc.date.available2020-12-22T09:35:55Z
dc.date.issued2012
dc.description.abstractThe process for playing a piece which includes movements during the performance is quite different for the musician. I could learnt that from my experience, for this reason the aim of this written work is to help to everyone who wants to play a piece with gestures and to make easier the way for performing it.en
dc.format.bitstreamtrue
dc.format.contentfulltext-
dc.format.extent14
dc.identifier.olddbid6403
dc.identifier.oldhandle10024/6378
dc.identifier.otherArscaBibId490473
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/520
dc.identifier.urnURN:NBN:fi-fe2018050923870
dc.language.isoeng-
dc.publisherSibelius-Akatemia
dc.rightsIn Copyright 1.0-
dc.rights.accesslevelopenAccess-
dc.source.identifierhttps://taju.uniarts.fi/handle/10024/6378
dc.subject.degreeprogramfi=sävellys ja musiikinteoria|sv=komposition och musikteori|en=Composition and Music Theory|-
dc.titleHow to study a musical work which includes movements during the performance
dc.type.coarfi=opinnäyte|sv=lärdomsprov|en=thesis|-
dc.type.ontasotfi=Kirjallinen työ|sv=Skriftligt arbete|en=Written Work|fi

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