Exploring Interconnectedness: A multidisciplinary project composition of immersion, interaction and voice
Calderon Morales, Esther (2023-10)
Calderon Morales, Esther
Taideyliopiston Sibelius-Akatemia
10 / 2023
Tutkielma
musiikkiteknologia
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi-fe202402289058
https://urn.fi/URN:NBN:fi-fe202402289058
Kuvaus
Access to the score and other files: https://drive.google.com/drive/folders/1T8VXfwRjL1_u5xbby3Bf0KaTQ5Dr35V8
Tiivistelmä
This written component accompanies my artistic project, Nexe, a composition that
integrates vocal ensemble, live electronics, acousmatic music, motion sensors,
generative systems, and dance. It serves as a comprehensive reflection on the creative
process and the themes explored within the project.
My initial artistic aim was to translate theoretical concepts about human nature into a
live musical performance. These ideas revolved around the importance of human
connection, interconnectivity, and the role of language. Utilizing case studies as
foundational elements, I worked towards the piece, gaining valuable knowledge that
influenced my decisions throughout the creative process. The thesis thoroughly delves
into both the case studies and my creative processes, examining the journey from
conceptualization to execution, including collaborative elements involving singers and
choreographers.
It articulates and justifies my artistic decisions, particularly concerning the integration
of technology and voice, as well as compositional choices that extend beyond sonic
considerations, exemplified by the use of generative and real-time interactive
composition tools, including data-driven score generation for singers.
Central to the elements of the piece and the thesis are themes of immersion and
interaction, integral to human connection. While I didn’t initially focus on these themes
and their connections, their significance gradually became evident during the writing of
this thesis. This process also generated additional questions for future exploration.
integrates vocal ensemble, live electronics, acousmatic music, motion sensors,
generative systems, and dance. It serves as a comprehensive reflection on the creative
process and the themes explored within the project.
My initial artistic aim was to translate theoretical concepts about human nature into a
live musical performance. These ideas revolved around the importance of human
connection, interconnectivity, and the role of language. Utilizing case studies as
foundational elements, I worked towards the piece, gaining valuable knowledge that
influenced my decisions throughout the creative process. The thesis thoroughly delves
into both the case studies and my creative processes, examining the journey from
conceptualization to execution, including collaborative elements involving singers and
choreographers.
It articulates and justifies my artistic decisions, particularly concerning the integration
of technology and voice, as well as compositional choices that extend beyond sonic
considerations, exemplified by the use of generative and real-time interactive
composition tools, including data-driven score generation for singers.
Central to the elements of the piece and the thesis are themes of immersion and
interaction, integral to human connection. While I didn’t initially focus on these themes
and their connections, their significance gradually became evident during the writing of
this thesis. This process also generated additional questions for future exploration.
Kokoelmat
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