Encountering music analysis: structure, performance, text and beyond : Festschrift for Lauri Suurpää

CONTENTS Introduction / Johdanto Part I: Analyzing Instrumental Music L. Poundie Burstein : “But First, I’ll Have a Snack!”: Beethoven’s Inter-movement Finale Parodies Jonathan Dunsby : To be a Saint: Domenico Scarlatti’s K. 87 Robert S. Hatten: Texture as Premise in Haydn: Developing Variation of Thematic Texture in the First Movement of the Piano Sonata in C Major (1794/5) Olli Väisälä: Schenkeriläinen äänenkuljetus ja “mekaaniset” operaatiot Bachin C-duuri-inventiossa/ Schenkerian Voice-Leading and “Mechanical” Operations in Bach’s C-Major Invention Inkeri Jaakkola: Stylistic Conventions and Individual Fingerprints in Erik Tulindberg’s String Quartets op. 1 and op. 2 Julian Horton: Bruckner, the New Formenlehre and the Problem of Cadence Part II: Text and Music Sakari Ylivuori: A Hero Despite His Flaws – The Narrative in Sibelius’s Sandels (op. 28) Anna Pulkkis “Ich hab’ im Traum geweinet” by Schumann and Bronsart: Dreams of Reality and Illusion Thomas H. Kirkegaard: Tonal Irony in Tekla Griebel Wandall’s Saphire sind die Augen dein Part III: Performance, Analysis and Editions Daphne Leong: A Metric Puzzle in Sibelius’s Violin Concerto Timo Virtanen: Notes on Heinrich Schenker’s Views on Notation and Editing Cecilia Oinas: Beethoven’s Performative Past: A Case Study on Interpreting the Editions of the Piano Sonata in G major op. 14 no. 2 Mieko Kanno: Drift, and the Aging of New Music Juha Ojala: Indications of Performer’s Semiotic Space: Pianists on The Spruce op. 75 no. 5 by Jean Sibelius Markus Mantere: Heinrich Schenkerin vaikutus suomalaiseen musiikintutkimukseen Part IV: Reminiscences Minna Holkkola: Lauri työtoverina ja kollegana