Encountering music analysis: structure, performance, text and beyond : Festschrift for Lauri Suurpää

annif.suggestionsmusiikkianalyysi|musiikki|musiikintutkimus|musiikinteoria|musiikinhistoria|Schenker-analyysi|säveltäminen|konsertot|liturginen musiikki|kansanlaulut|enen
annif.suggestions.linkshttp://www.yso.fi/onto/yso/p19623|http://www.yso.fi/onto/yso/p1808|http://www.yso.fi/onto/yso/p21685|http://www.yso.fi/onto/yso/p2147|http://www.yso.fi/onto/yso/p14569|http://www.yso.fi/onto/yso/p25883|http://www.yso.fi/onto/yso/p13332|http://www.yso.fi/onto/yso/p10246|http://www.yso.fi/onto/yso/p24740|http://www.yso.fi/onto/yso/p2842en
dc.contributor.editorMantere, Markus
dc.contributor.editorJaakkola, Inkeri
dc.contributor.editorOinas, Cecilia
dc.contributor.organizationfi=Taideyliopiston Sibelius-Akatemia, Klassisen musiikin osasto, DocMus-tohtorikoulu|sv=Konstuniversitetets Sibelius-Akademi, avdelningen för klassisk musik, Doctorandskolan DocMus|en=Uniarts Helsinki’s Sibelius Academy, Faculty of Classical Music, DocMus doctoral school|-
dc.date.accessioned2025-05-21T13:05:01Z
dc.date.accessioned2025-05-22T11:18:13Z
dc.date.available2025-05-21T13:05:01Z
dc.date.issued2025
dc.description.abstractModern music theory scrutinizes its subject matter not only as pitches, rhythms, and structures. Instead, the narrativity, referentiality, and cultural context of music are all aspects of music’s ontology that link music theory to other disciplines within academic music research. The potential applications of music theory are very broad: the knowledge generated by music analysis is not only indispensable for editorial research, but also a natural part of the methodology of artistic research. This research anthology celebrates Lauri Suurpää’s 25-year career as Professor of Music Theory at the Sibelius Academy. The Festschrift brings together key research themes and theoretical perspectives in his work, including narrativity, New Formenlehre and Schenkerian analysis. The relationship of classical music to the world around it and the internal coherence and logic of music are key areas of Suurpää’s research, which the authors of this anthology address from their own perspectives. The articles cover the entire tonal period of instrumental and vocal music, from Scarlatti and J. S. Bach to Anton Bruckner and Jean Sibelius.-
dc.description.tableofcontentsCONTENTS Introduction / Johdanto Part I: Analyzing Instrumental Music L. Poundie Burstein : “But First, I’ll Have a Snack!”: Beethoven’s Inter-movement Finale Parodies Jonathan Dunsby : To be a Saint: Domenico Scarlatti’s K. 87 Robert S. Hatten: Texture as Premise in Haydn: Developing Variation of Thematic Texture in the First Movement of the Piano Sonata in C Major (1794/5) Olli Väisälä: Schenkeriläinen äänenkuljetus ja “mekaaniset” operaatiot Bachin C-duuri-inventiossa/ Schenkerian Voice-Leading and “Mechanical” Operations in Bach’s C-Major Invention Inkeri Jaakkola: Stylistic Conventions and Individual Fingerprints in Erik Tulindberg’s String Quartets op. 1 and op. 2 Julian Horton: Bruckner, the New Formenlehre and the Problem of Cadence Part II: Text and Music Sakari Ylivuori: A Hero Despite His Flaws – The Narrative in Sibelius’s Sandels (op. 28) Anna Pulkkis “Ich hab’ im Traum geweinet” by Schumann and Bronsart: Dreams of Reality and Illusion Thomas H. Kirkegaard: Tonal Irony in Tekla Griebel Wandall’s Saphire sind die Augen dein Part III: Performance, Analysis and Editions Daphne Leong: A Metric Puzzle in Sibelius’s Violin Concerto Timo Virtanen: Notes on Heinrich Schenker’s Views on Notation and Editing Cecilia Oinas: Beethoven’s Performative Past: A Case Study on Interpreting the Editions of the Piano Sonata in G major op. 14 no. 2 Mieko Kanno: Drift, and the Aging of New Music Juha Ojala: Indications of Performer’s Semiotic Space: Pianists on The Spruce op. 75 no. 5 by Jean Sibelius Markus Mantere: Heinrich Schenkerin vaikutus suomalaiseen musiikintutkimukseen Part IV: Reminiscences Minna Holkkola: Lauri työtoverina ja kollegana-
dc.format.bitstreamtrue
dc.format.contentfulltext-
dc.format.extent468-
dc.identifier.isbn978-952-329-390-8-
dc.identifier.olddbid9253
dc.identifier.oldhandle10024/8573
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/5680
dc.identifier.urnURN:ISBN:978-952-329-390-8-
dc.language.isofin-
dc.language.isoeng-
dc.publisherTaideyliopiston Sibelius-Akatemia, DocMus-tohtorikoulu-
dc.relation.ispartofseriesfi=DocMus-tohtorikoulun julkaisuja|en=DocMus Research Publications|-
dc.relation.issn2341-8265-
dc.relation.numberinseries24-
dc.rightsIn Copyright 1.0-
dc.rights.accesslevelopenAccess-
dc.source.identifierhttps://taju.uniarts.fi/handle/10024/8573
dc.subject.otherSuurpää, Lauri-
dc.subject.ysomusiikkianalyysi-
dc.subject.ysomusiikki-
dc.subject.ysomusiikintutkimus-
dc.subject.ysomusiikinteoria-
dc.subject.ysomusiikinhistoria-
dc.subject.ysoSchenker-analyysi-
dc.subject.ysosäveltäminen-
dc.subject.ysokonsertot-
dc.subject.ysoliturginen musiikki-
dc.subject.ysokansanlaulut-
dc.titleEncountering music analysis: structure, performance, text and beyond : Festschrift for Lauri Suurpää-
dc.type.coarfi=kirja|sv=bok|en=book|-

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