Tracing Dalcroze-Inspired Practices in Finland : Three Artist-Pedagogues at the Sibelius Academy in the Twentieth Century

dc.contributor.authorJuntunen, Marja-Leena
dc.date.accessioned2026-01-27T07:50:48Z
dc.date.issued2025
dc.description.abstractIn this chapter I discuss three Finnish artists-pedagogues and examine how they applied the ideas of Émile Jaques-Dalcroze in their work at the music institution that was first called the Helsinki Music Institute (founded in 1882), then the Helsinki Conservatory (1924), and finally Sibelius Academy (1939–, later referred to as SibA in the text) – nowadays the only university-level music institution in Finland. These artists are Maggie Gripenberg, a student of Jaques-Dalcroze, Ilta Leiviskä, a student of Gripenberg, and Inkeri Simola-Isaksson, a student of Leiviskä. --
dc.embargo.lift2026-06-01
dc.embargo.terms2026-06-01
dc.identifier.citationJuntunen, M.-L. (2025). Tracing Dalcroze-Inspired Practices in Finland: Three Artist-Pedagogues at the Sibelius Academy in the Twentieth Century. In J. Habron-James, J. Laakkonen, & S. L. Odom (Eds.), Navigating Landscapes of Dalcroze Practice: Histories of Music and Movement (pp. 160–177). Boydell & Brewer. https://doi.org/10.2307/jj.25291662.18
dc.identifier.urihttps://taju.uniarts.fi/handle/11111/5940
dc.identifier.urnURN:NBN:fi-fe202601279168
dc.language.isoeng
dc.publisherBoydell & Brewer
dc.relation.doi10.2307/jj.25291662.18
dc.relation.isbn978-1-80543-680-5
dc.relation.ispartofNavigating Landscapes of Dalcroze Practice: Histories of Music and Movement
dc.rightsIn Copyright 1.0
dc.rights.accesslevelembargoedAccess
dc.subject.ysoDalcroze-rytmiikka
dc.subject.ysopedagogiikka
dc.subject.ysomusiikkikasvatus
dc.titleTracing Dalcroze-Inspired Practices in Finland : Three Artist-Pedagogues at the Sibelius Academy in the Twentieth Century
dc.type.coarfi=kirjan osa|sv=bokavsnitt|en=book part|
dc.type.okmfi=A3 Kirjan tai muun kokoomateoksen osa|sv=A3 Del av bok eller annat samlingsverk|en=A3 Book section, Chapters in research books|
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