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Taju on Taideyliopiston avoin julkaisuarkisto. Arkistoon tallennetaan Taideyliopistossa tuotettua kokotekstiaineistoa kuten väitöksiä, opinnäytetöitä, taiteellista tutkimusta, tieteellisten artikkeleiden rinnakkaistallenteita, julkaisusarjoja, oppimateriaaleja sekä digitoituja nuotteja, äänitteitä ja konserttitallenteita. Osa aineistosta on vapaasti saatavissa (Open Access) ja osa on käytettävissä vain kirjaston Taju-työasemilla. Jotkin aineistot ovat myös käytettävissä Taideyliopiston tunnuksilla.

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Viimeksi tallennetut

Special issue: "Ethical questions in transforming music practices"
Kivijärvi, Sanna; Koivisto, Taru-Anneli (Queen Margaret University, 2025)
Kirja
The themes of equity and justice in professional activities are becoming increasingly important for those working in music-related fields. This special issue explores these topics through the lens of ethical dilemmas and challenges, drawing on international perspectives from scholars and practitioners. Ethical decision-making requires professionals not only to engage in critical thinking and self-reflection but also to take action by transforming organisational and institutional structures. --
Indigenous curatorial practices and their modes of becoming Práticas curatoriais indígenas e seus modos de vir-a-ser Isabela Hueara Carneiro 2025
Isabela, Hueara Carneiro (Taideyliopiston Kuvataideakatemia, 2025)
Opinnäyte (maisteri)
This thesis investigates indigenous curatorial practices and their modes of constitution, based on a dual approach: the analysis of theoretical and methodological foundations and direct dialogue with active indigenous curators. The research starts from a situated perspective—Uchinanchu-Brazilian—and develops as a methodological exercise that articulates personal experience, indigenous references, and contemporary curatorial practices. In the first chapter, I present a contextual cartography that locates my trajectory, marking the displacements and belongings that inform this investigation. The second chapter discusses the emergence of contemporary indigenous art as a category and strategy, examining its insertion in art institutions and its role in confronting hegemonic narratives. The third chapter systematizes principles and debates surrounding indigenous curatorial methodologies, contrasting them with Western curatorial paradigms and problematizing processes of institutionalization. In the fourth chapter, I delve deeper into these issues based on conversations with Edson Kayapó and Arissana Pataxó, who offer situated perspectives on temporality, collectivity, and belonging as curatorial axes. Based on these conversations, I develop three essays that analyze how these concepts are articulated both in indigenous curatorial practice and in my own experience as a researcher. The choice of full transcripts and co-presence writing seeks to move away from extractivist approaches and affirm the relational dimension of knowledge production. In my final thoughts, I summarize the main contributions of the research, emphasizing that indigenous curatorship cannot be reduced to a single methodology, but must be understood as a plural, situated, and constantly evolving field.
What Is the Vision for Cultural Funding in Finland and How Is It Supported by the Government? : Analysis of the 2024 Cultural Policy Report and Trajectory of State Level Cultural Funding in Finland
Heinilä, Jemi (Taideyliopiston Sibelius-Akatemia, 2025)
Opinnäyte (maisteri)
Discussion regarding cultural funding and its structures is currently active in Finland and involves wide range of stakeholders, such as cultural sector professionals, political decision-makers, civil servants, and public commentators. The discussion has been accelerated in part by the preparation of the 2024 Cultural Policy Report by Prime Minister Petteri Orpo’s government, as well as the historical cuts to culture for 2025 made by his government. At the same time, significant disruptions have occurred in recent years in the operational environment of the cultural sector and its funding, such as the global pandemic and the loss of the state gambling monopoly’s beneficiary status, which transferred funding for the arts and culture directly to the state budget. These sector specific changes, together with macro-level challenges, the heightened geopolitical tensions and exceptionally uncertain economic situation both in Finland and globally, raise fundamental questions about the role of culture for our society and how we choose to support the things that matter. This thesis aims to contribute to this discussion by analyzing the 2024 Cultural Policy Report from the point of view of cultural funding and structures, by examining budget decisions implemented by the government, and assessing them in relation to the vision and proposed actions presented in the report. The findings of the analysis reveal at least a partial contradiction between the report’s objectives and actions and the concrete political decisions concerning cultural funding. This thesis is a case study of cultural funding and its instruments in Finland, conducted as desk research through document analysis. The theoretical framework of the analysis is grounded in research literature on cultural policy and cultural funding as well as previous research on cultural funding and cultural governance in Finland. Consequently, the thesis provides the reader with a comprehensive and timely overview of state-level cultural funding instruments and structures in Finland, their development and current discussion concerning them.
Aineeton kulttuuriperintö : Käsite, käytäntö, politiikka
Mäkelä, Heidi Henriikka; Valo, Outi
Tietolipas : 296 (Suomalaisen Kirjallisuuden Seura, 2025)
Kirja
Aineettomasta kulttuuriperinnöstä on tullut 2000-luvulla keskeinen käsite. Se kattaa esimerkiksi suullisen perinteen, esittävät taiteet ja sukupolvelta toiselle siirtyvät sosiaaliset käytännöt. Käsite on myös kiistanalainen. Miten ja miksi jotkin ilmiöt nimetään aineettomaksi kulttuuriperinnöksi? Kuka siitä päättää? Teos tarkastelee monitieteisesti aineettoman kulttuuriperinnön historiaa ja tulevaisuutta sekä suomalaisessa että kansainvälisessä kontekstissa. Erityisesti käsitellään Unescon yleissopimuksen toimeenpanoa Suomessa. Kokoomateos on suunnattu niin tutkijoille, opiskelijoille kuin kulttuurialan toimijoillekin. Teoksessa korostuvat aineettoman kulttuuriperinnön ekologiset, poliittiset ja eettiset ulottuvuudet. Näkökulmia avaavat esimerkiksi suomalaiset perintökohteet, kuten saunominen ja kaustislainen viulunsoitto.
Decolonising cultural policy : the cultural and linguistic rights of the Sámi in Finland
Valoma, Laura (Frontiers, 2024)
Lehtiartikkeli
In this article, the writer considers the current state of the cultural and linguistic rights of the Sámi, how they are supported by cultural policy and how decolonising cultural policy could contribute to the ongoing struggles of realising the self-determination and cultural rights of the Sámi. The article stipulates that concrete steps need to be taken for decolonising cultural policy in Finland specifically concerning the cultural and human rights of the Sámi. Cultural policy should be based on cultural rights, thus introducing decolonial practices in support of the Sámi culture and languages and into the culture policy and funding is imperative. The article suggests creating decolonial practices of research and policymaking rooted in intersectional and participatory methods that recognise the many forms of discrimination, not only the current-day colonialism or the effects of assimilation but also the intersections of an indigenous identity with other forms of discrimination. Furthermore, contributing to decolonisation should include research on the effects of colonisation on cultural rights, cultural policy and the distribution of funds for promoting the Sámi culture and languages in the Sámi communities and Finland.