Selaus asiasanan mukaan kokoelmassa "koreografia"
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Affect=intensity->expression : choreography as a kind of feeling
(Taideyliopiston Teatterikorkeakoulu, 2022)
opinnäyte (maisteri)My artistic thesis work olO will work as a base for my written thesis. olO works also as an artistic frame for this writing which defines its topics. This thesis will open my current perspectives to choreography from the ... -
Affective images
(Taideyliopiston Teatterikorkeakoulu, 2022)
opinnäyte (maisteri)In this written part of my master thesis I approach the making of choreography through what I call affective images. I use the artistic part of my thesis, Huldra, as an example of how I have worked with affective images ... -
Ajan taju
(2016)
opinnäyte (maisteri)Kirjallinen opinnäytetyöni on raportti Ajan taju -esityksestä, joka oli taiteellinen opinnäytetyöni koreografin maisteriohjelmassa. Teos ensiesitettiin Taideyliopiston teatterikorkeakoulussa 11.2.2016. Esitys oli ruumiillis ... -
Ality : inhabiting the virtual through choreographic practice and research
(2020)
opinnäyte (maisteri)In relation to the traditional expression of the term choreography, the formulation of movement appears to be something that the choreographer as an activating agent sets into motion. In this thesis, I will illustrate a ... -
Appearing choreography : performing perception
(2019)
opinnäyte (maisteri)In this written part of my thesis work I will trace how perception includes both political and existential aspects for me. I am interested in the wide spectrum of perception, and how this multiplicity is framed by different ... -
Assembling a praxis : choreographic thinking and curatorial agency
(Taideyliopiston Kuvataideakatemia, 2023)
opinnäyte (tohtori)We curate our playlists, our menus, and our outfits. Urban planning, poetry, and software design have choreographic elements. These phenomena point to the potential of the curatorial and the choreographic to open new spaces ... -
Choreographed by situation : self-organizing choreography and the dancer’s agencement
Acta Scenica : 61 (Taideyliopiston Teatterikorkeakoulu, 2022)
opinnäyte (tohtori)There are many ways to approach self-organizing or improvised choreography. In this artistic research the choreography is approached as a self-organizing system and investigated for the requirements that this kind of ... -
Choreographing Collapsing Bodies
(Taideyliopiston Teatterikorkeakoulu, 13.10.2023)
opinnäyte (maisteri)Choreographing Collapsing Bodies examines the choreographic in the arrangement of different material bodies, agencies and affects. This artistic research investigates the affective power of everyday objects and their role ... -
Choreographing Histories : Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship
(Senter for dansepraksis, 2023)
lehtiartikkeliThis text is based on a roundtable organised by the five authors at the 2022 NOFOD conference in Copenhagen. As scholars and practitioners invested in the research and teaching of dance history both inside and outside ... -
Choreographing in nomadic traces
(2018)
opinnäyte (maisteri)This written part of my final theses work focuses on my own choreographic work through a nomadic framing. I go through methodologies and principles in choreographing, that bring us closer to a question of non-identification, ... -
Choreography and feeling : in alternative relativity
(2018)
opinnäyte (maisteri)This paper explores findings of connectivity and feeling relating to my latest artistic process Dry storm in Theateracademy of Helsinki. It sheds light on experiencing relative sensing of time and space through body’s ... -
Choreography as reading practice
Acta Scenica : 56 (2019)
opinnäyte (tohtori)My doctoral artistic research project (2013-2019) examines choreography as reading practice. In the research, the notion of choreography operates simultaneously as an analytical device, problem to be examined, and an ... -
Composition and choreography : critical reflections on perception, body and temporality
Acta Scenica : 55 (2018)
opinnäyte (tohtori)Seeing as an active endeavour for the choreographer Jana Unmüssig's doctoral research examines studio-based choreographic composition practice that focuses on seeing and visuality from the perspective of the choreograph ... -
Considering the ontological premises for tools in artists’ education - on poiesis and composition
(2015)
lehtiartikkeliArtikkeli käsittelee ‘työkalujen’ ongelmallisuutta taiteilijan koulutuksessa, erityisesti MA tason koreografian opetuksessa. Aihe on osoittautunut oleellisen tärkeäksi moninaisten ja heterogeenisten esteettisten tavoitteiden ... -
Critical Silence : The Unseemly Games of Love in Jeux (1913)
(2009)
lehtiartikkeliFollowing my article on Vaslav Nijinsky's L' Aprè s-midi d' un Faune (1912), I turn my attention to Jeux, the first of Nijinsky's two choreographies for the 1913 season of the Ballets Russes. Made to a commissioned score ... -
Dancing without Space – On Nijinsky's L'Après-midi d'un Faune (1912)
(2009)
lehtiartikkeliThree-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into ... -
Docudancing griefscapes : choreographic strategies for embodying traumatic contexts in the trilogy of Life & Death
Acta Scenica : 44 (2015)
opinnäyte (tohtori) -
Esseistinä esityksenteossa
(2014)
opinnäyte (maisteri)Opinnäytteeni kirjallinen osio Esseistinä esityksen teossa käsittelee kirjoitusprosessien ja esitysprosessien eroja ja yhtäläisyyksiä ja erityisesti niiden esseemäisyyttä. Luku ”Esseestä asenteena” pyrkii näyttämään, mitä ... -
Frameworks : subjects to change
(2018)
opinnäyte (maisteri)This written thesis is an analysis of my artistic thesis work provide from 2017. The thesis outlines a multiplicity of frameworks included in the making of provide and situates those frameworks into wider discourses. In ... -
"Great Horizons Flooded with the Alien Light of the Sun" : Le Sacre du Printemps in the Russian context
(2013)
lehtiartikkeliEven a century after the premiere of Le Sacre du Printemps, Russian contemporary sources offer a wealth of material on the Ballets Russes and particularly on Nijinsky's 1913 choreography that are rarely read and never ...
